Synopsis

Pinky is a heartwarming and humorous exploration of the unpredictable journey to parenthood. Set against the backdrop of an annual baby expo, the story introduces a collection of diverse individuals, including a kooky wellness expert, a well-meaning work experience kid, a self-proclaimed Casanova and a heavily pregnant mother very ready to pop. As the day unfolds, the expo guests take part in a series of quirky baby inspired workshops. Through shared laughter, unexpected conversations and moments of vulnerability, they begin to open up and discover a sense of connection they never thought possible.

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Setting

Pinky takes place at ‘Baby, Baby’, a wellness-inspired baby expo in 2020. Six people have won the chance to attend a pre-event and experience the expo before it opens to the public.

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Running time

60-75 minutes.

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Characters

Fourteen characters (8F, 6M). Note: This play accommodates flexible and inclusive casting.​

 

Expo staff:

Tanya, 36. Tanya is the uptight, no-nonsense expo coordinator.

Journee, 36. Kind and kooky, Journee facilitates the expo wellness programmes.

Niall, 18. A well-meaning work experience kid, Niall wants to impress.

Johnny, 18 Johnny is unwillingly dragged to the expo by his Auntie Tanya.

Hugh, 30. A self-proclaimed Casanova, Hugh oozes confidence and flair.

Jim, 32. Jim is Hugh’s lovable best friend and works as the expo security guard.

Kim, 30. Kim is the sarcastic niece of the expo founder.

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Invited guests:

Martha, 36. Warm and loving. Martha is pregnant with her fourth child.

Michael, 49. Michael is an endearing goofball who adores his wife, Martha.

Hannah, 28. Hannah is a nervous mum-to-be, focused on a perfect pregnancy.

Lexi, 25. Sassy and strong, Lexi is Hannah’s sister-in-law.

Tiff, twenty. Tiff is a young woman who finds unexpected connections at the expo.

Wendy, 58. Quirky and a little old-fashioned, Wendy is Tiff’s mum.

Bruce, 50. The classic Aussie bloke, Bruce is an accidental guest at the expo

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Each play in this collection also contains a Playwright’s Note and a set of Discussion Questions. Incorporated specifically to support educators and theatre makers, these additions aim to encourage reflection, analysis, creative exploration, and critical thinking around dramaturgy and theatricality. For any queries or questions, please contact Brady here.

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